Then you can make it into an MPEG2 if you want after the capture. The point is not to do this, instead just transfer the video over as it is. I am sure you can find programs that do offer choices to compress the feed from firewire. As far as I know, all these DV capture programs capture in uncompressed AVI and there is no choice about this (codec or compression choice). Your captured video will be an uncompressed AVI. I don't want to venture too much from the point, the point is that you should be plugging the camera into the PC directly via firewire and capturing through a DV capture program. Most such programs have a separate capture program for firewire devices, and they all recognize most DV cameras by name. Even microdoft movie maker has a DV capture function. The proper way to do it is to use a program that is DV camera compliant.Įxample Vegas. When you capture your video from the camera, exactly how did you do it? There is a lot of macroblocking in addition to scan lines. The reason some people don't see the macroblocking on the first picture is because they don't have a good enough monitor. It is actually damn good quality for VHS and the errors that are being seen are probably there from weaknesses in the camcorder that was used to shoot the original footage. If that is a screen grab from a VHS original, I would have two comments to make. avi as we all assumed or is he using the term DV to mean something else? What format is he capturing to? Is it DV. That is a completely different thing altogether. Then 10 posts into the thread, he says that he isn't transferring DV but capturing analogue from VHS. We both assumed that this was something that he had shot himself with a DV camcorder and then transferred. I'm not sure why you commented in this area :roll: I think ed commented like this because reading the title of the original post the poster asked about DV files. If you are analog capturing proĭigital material you need to carefully set your blacks and whites. Scene by scene to 8bit during DVD authoring. Production and post production was done in 10 bit and carefully downconverted Pro digital video uses every useful level of the 16-235 grayscale.
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